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Showing 2 results for Dehghani Tafti

Dr. Abdolhamid Noghrekar, Mohsen Dehghani Tafti, Mehdi Hamzehnejad,
Volume 22, Issue 1 (6-2012)
Abstract

the light of the Genius Loci theory. The theory has been verified in many studies by the traditional-Islamic philosophers. Proving the closeness of these two viewpoints in extent and type of the environmental influences on disposition can open a venue for applying the theory of Genius Loci to establish a basis for environmental design in regions with Islamic and traditional cultures. This research traces the origins of this theory to the ancient Islamic philosophy. In the first step, the relationships between environmental and cultural characters are explained in four climate-dispositional patterns using Christian Norberg-Schulz’s theory of Genius Loci. The second step deals with the philosophical origins of the theory within the Islamic thoughts through four patterns. Islamic philosophers have considered the types and the extent of climate’s influences on disposition and have distinguished different faculties and behavioral affordances for various temperaments and four climates - “hot and dry”, “hot and wet”, “cold and dry” and “cold and wet”. Temperament and the hot and dry climate have shown to be suitable for the moral training of the mankind and assume the character traits of the God. The findings of the present study, the phenomenologist’s ideas concerning the character type and environmental/cultural characters in different climates, and the association of the environment and human, have over lapses with the theories of the Islamic philosophers.
Karim Mardomi, Mohammadreza Noghsanmohammadi, Mohsen Dehghani Tafti,
Volume 23, Issue 2 (12-2013)
Abstract

Abstract This study was carried out to investigate and shed light on the complex theoretical concept of place, as a continuing dynamic phenomenon, in architecture. To this end, it has looked into the historical evolutions and retrieval of the Shah Wali complex in Taft. Considering the topic and the goal of this research paper, the morphological analysis as a tool used in the interpretive-historical research the method and the process of change and continuity of form was selected. The findings of this study indicate that this place, as a form, has always been subject to change. These changes could be categorized into two groups: (a) the changes which have been gradual and have taken place over a long period and (b) those which have taken place over a short period. The gradual changes have taken place starting from the Timurid to the Safavid era, at which point the complex has reached completion and evolved as a complex. After the initial developments of the complex, the complex underwent some short period changes in its components and spatio-temporal structure. These short period changes coincides with the demolishment of the old Takiya and construction of the new Takiya. Following these short period changes, the gradual changes of the second stage starts. As an implication of this research, it is suggested that urban designers and conservationists in particular revisit the theoretical underpinnings of the terms and concepts in the process of continuity and change of the historic dynamic complex, in order to fully understand and apply appropriate strategies in the design and the conservation. 


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