International Journal of

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Technology has had many influences on the Iranian society in different eras. Today, information and telecommunication technologies have revolutionized the basic structures of society and a new network society has been propagated inside the traditional and semi-modern context. In countries like Iran, which are in the process of modernization, a chaos deriving from the transition period is observed that leads to a certain peculiarity. In this transition era the norms of traditional societies, which offer discipline for these societies, have been eliminated in favor of new norms that are not codified yet. The transformation to the new situation and also the confrontation with the electronic world has instigated many disorders and anomalies in the society, with its physical expression becoming visible in contemporary architecture. Today, Iranian architecture is affected by Kitsch Art and has become superficial. Using attractive visual capsules and exploiting the human habit of imitation, information viruses have spread everywhere and have changed the physical world dramatically. The propagation of networks has made this process even faster. This paper reviews the confrontation of Iranian architecture with the electronic realm and investigates the role of visual viruses in the formation of the physical fabric of Tehran. It is argued that in the future, emphasis on design supported by collective intelligence [1] and individual creativity can decrease physical anomalies in the built environment.

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Orientation of classrooms is an important challenge in architectural design of a school. However, there is a lack of appropriate knowledge about influence of orientation on students’ perception of daylighting in classrooms. This paper presents a questionnaire survey that was conducted to compare students’ perception and satisfaction with daylighting in classrooms of a high school in Tabriz, Iran. Statistical analysis of responses was done to identify daylight factor and their relationships with satisfaction with daylighting in northern and southern classrooms. In southern classrooms, satisfaction with daylighting had significantly negative and positive correlation with perception of reflected and direct glare, respectively. In northern classrooms, perception of unified daylight and control of sunlight overheating by operable windows had significantly strong and positive correlation with satisfaction with daylighting, respectively. The students’ seating location had significant influence on satisfaction with daylighting and perception of direct glare in southern classrooms. In northern classrooms, students’ seating location caused different perception of reflected glare. The results showed that orientation did not lead to significant difference between satisfactions with daylighting in northern and southern classrooms. Although, in southern classrooms, the mean votes of satisfaction with daylighting was higher than northern classrooms.

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Postmodernism is a very ambiguous term. It attracted many researchers from different fields of knowledge in the late 1960s. This article explains intertextuality as a critical means to derive its concepts and components in order to understand the hidden layers of meaning in postmodern pluralist ideology. Variable thoughts of postmodern architecture have been divided into two categories—Historicist and Deconstruction—to be able to detect and classify the inner layers of meaning in postmodern architecture.
The authors seek to answer these questions:
1. How can we achieve the intertextual relationship between Historicist postmodern architecture and Deconstruction?
2. How can we define Historicist postmodern architecture and Deconstruction into the diachronic and synchronic axes?
The results show that Historicist postmodernism uses objective signifiers and moves only along the diachronic axis. This group only imitates the past and its elements have humor and irony in the works. Due to the lack of attention to the synchronic axis, some parts of intertextuality are missing. These include the uncertainty of meaning and multilayered texts, which are principles of intertextuality. Deconstruction moves in both the diachronic and synchronic axes and, unlike Historicist ones, multi-meaning, multi-valued, and multi-layered features are seen in the works. They use both previous and contemporary texts. The method of data analysis is based on causal comparison and the rational analysis of authors. This article is a logical reasoning research that uses reasoning to explain relationships and understand the components of a subjective system after gathering information and understanding the theory of intertextuality.

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This paper is based on the research which was conducted earlier on Kansei Engineering (KE) and resulted in a new concept for scissors to redesign it with another method called “User Centered Design” (UCD). This is a shift from translation of the consumers’ psychological feeling about a product related to their perception of the design (KE) to focus on designing for and involving users in the design process (UCD). According to UCD process, after understanding and specifying the context of use, specifying the requirements and evaluation of KE concept were simultaneously (by 52 users, 30 female and 22 male), next steps were producing design solutions and evaluating those solutions about requirements (by 41 subjects, 26 female and 15 male). Specifying the requirements and evaluations were by usability test via focus groups and interviews. The final concept obtained high available satisfaction rates defined in the research project. In addition, some comfort design factors for hand tools (e.g. reducing wrist bent while working and reduction of hand pain) were measured and the new designed product achieved a highly satisfactory result. At last a comparison between UCD and KE had been done.This paper is based on the research which was conducted earlier on Kansei Engineering and resulted in a new concept for scissors to redesign it with another method called “User Centered Design” (UCD). Kansei Engineering (KE) as a kind of human ergonomic technology refers to the translation of the consumers’ psychological feeling about a product related to their perception of the design. UCD is a general term for a method which focuses on designing for and involving users in the design process. It can effectively be substituted with those methods only covering the surface requirements of users. UCD includes iterative design and evaluation through gathering the user requirements and understanding the context of use. The collected and produced data yielded some new ideas as well while being eventually evaluated by end-users. The final concept obtained high available satisfaction rates defined in the research project. In addition, some comfort design factors for hand tools (e.g. reducing wrist bent while working and reduction of hand pain) were measured and the new designed product achieved a highly satisfactory result.

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In recent years, optimizing the energy consumption of buildings has become one of the important environmental and economic goals in sustainable architecture and urban planning. A group of factors affecting the energy consumption of buildings is their physical characteristics and form. In this regard, in the present research, the effect of volumetric porosity in high-rise buildings on their energy consumption has been investigated. The purpose of this research is to explain the correlation between the volumetric porosity of a building, as an independent variable, and its cooling and heating load, as a dependent variable, in a high-rise residential complex in Tehran. In this regard, first, a modular-generative model has been created in the Grasshopper plugin of Rhino software, which can create a porosity of 0 to 50% parametrically. Then, the cooling and heating load of each of the produced models in the city of Tehran and on the June 21 (summer solstice) and December 21 (winter solstice) were calculated using the Honeybee plugin, with standard settings. The data obtained from the simulation were entered into the SPSS software environment and the correlation test of the percentage of volume porosity and energy consumption was performed on the two aforementioned dates in Tehran. In order to validate the research method, this process was performed in 3 other climatic zones of Iran and the findings were compared with other studies in this field. The results of this research showed that the increase in porosity, assuming the number of modules is kept constant (the total volume of the building remains constant) and the site coverage ratio - as is common and inevitable in high-rise buildings - have a significant positive correlation with increased energy consumption in high-rise residential buildings in Tehran.

 

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In contemporary times, the imperative to address ethical considerations within the realm of architecture has escalated, primarily in response to the prevalent environmental challenges. Environmental ethics, a facet of applied ethics, delves into the intricate interplay between nature and the exigencies arising from indiscriminate human interventions in the environment. The present research employs a descriptive-analytical approach to discern indicators of environmental ethics methodologies, drawing insights from the Hannover Principles and pertinent case studies. Within the purview of this study, the qualitative content analysis method is employed to scrutinize the conceptual framework of these principles and their ramifications on residential complexes. To identify pivotal indicators and criteria catering to residential needs, the Expert questionnaire and AHP method are applied. The accrual of research data is facilitated through a researcher-developed questionnaire, subsequently subjected to analysis utilizing SPSS statistical software. The analytical approach involves correlation coefficient analysis and a one-sample t-test. In alignment with the Hannover Principles, environmental ethics indicators are systematically classified into three distinct categories: principles pertaining to human aspects, those linked to nature, and principles concerning productivity. This study aims to investigate the role of these principles as evaluative criteria in the design of contemporary residential complexes. The central research question guiding this inquiry is articulated as follows: To what extent have environmental ethics principles been integrated into the design paradigms of modern residential complexes? The empirical findings underscore the imperative of infusing environmental ethical standards into the fabric of sustainable building creation. Notably, principles related to human aspects emerge as particularly consequential, garnering the highest score among all the considered criteria for Residential Complexes.