International Journal of

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Abstract: Creativity and innovation are major drivers for developments of societies and nations. In this way, research activities have an extremely significant role whose promotion is strongly dependent on the creativity and innovation. There are several factors such as the built environment, which affect the creativity and innovation. This paper extracts a set of design rules for researchers' offices in an "architecture and urban design research center", which lead to the growth of researchers' creativity and innovation. The type of plan, namely open or closed plans, and spatial aspects of researchers’ offices are investigated from the perspective of factors influencing the creativity and innovation. The spatial aspects, chosen based on the available literature, are privacy, beauty, spatial diversity/flexibility, and proximity/visibility. Additionally, four factors affecting the creativity and innovation consist of tranquility/physical comfort, motivation, creative thinking, and communication. The survey methodology, with a 26-question four-choice questionnaire, was adopted here for the sake of numerical studies. The sample group covered 91 faculty members and Ph.D. students associated with Architecture and Urban Design Departments of several universities in Tehran. The collected data has been analyzed through a statistical method, named repeated measure analysis of variance (RM-ANOVA), and the most affected creativity and innovation factors by spatial aspects are specified.

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The study is an exploratory research based on a systematic review conducted qualitatively. It examines recent studies on the growing trends towards design participation in innovation management processes, specifically focusing on one of the main streams of research: design-driven innovation and the innovation of meaning. This research aims to define and introduce the infrastructure of this field. Therefore, the elements of analytical innovation and interpretive innovation are extracted from sources and compared across several parameters. Analytical innovation is characterized by structured and logical approaches, while interpretive innovation involves subjectivity and context. After defining hermeneutics as the science of interpretation, hermeneutic concepts are analyzed and extracted in relation to interpretive innovation in a design workshop. Concepts such as the hermeneutics of discourse, horizon of expectation, fusion of horizons, hermeneutic dialogue, metaphor, and narrative are discussed. To determine the complex relationship between hermeneutic concepts and visual representation design concepts, a bibliographic network of studies in this field was conducted. This included topics like interpretation, communication, phenomenology, design thinking, and human-centered design practice. Looking ahead, hermeneutics is poised to influence cultural inclusiveness, sustainability, ethical considerations, and interdisciplinary collaboration in design. It will also play a fundamental role in shaping digital experiences and fostering responsible innovation. Embracing these possibilities leads to a more holistic and ethically informed approach to design-driven innovation in our evolving world.