Rasool Pahlavanpour, Jamaleddin Soheili, Mehdi Khakzand,
Volume 7, Issue 3 (autumn 2019 2019)
Abstract
Mosques have been the oldest, most important and uncompetitive religious element of Iranian cities. Unfortunately, mosque formation patterns and principles and symbolic perception, have been forgotten recently, especially at neighborhood mosques level. recovery of Iranian-Islamic architectural and urbanization identity is main responsibility of architects and urban planners, and this is the main object of current research. We will look forward achieving these goals by field survey and local condition analysis of cultural, social and even economical needs of social classes of these locals. Also, considering determined goal, research looks for its answer, can be stated as following: whether value systems of different social classes of local habitants influences belonging sense among these neighborhood mosques. In the current research, the influence of sensory perception models have been investigated on the sense of belonging to place at Qazvin city by survey method. And also after specifying models and components of sensory perception, evaluating criteria effective on increasing belonging sense to mosque, extracted, then questionnaire prepared based on Likert spectrum by Structural Equation Modeling (SEM), which it analyzed the relations among variables and their impact amount on Haft-Darb mosque as an old texture and Javad Al-aemah as a new texture. research findings, shows a meaningful relationship among the components of sensory perception and the sense of belonging to place at neighborhood mosques, which in it the impact of cultural indicators and social system in the neighborhood is more than other indicators. Also regarding sensory patterns in designing mosques forming elements, promotes satisfaction sense which this leads to creating and strengthening of adaptive sensory architectural patterns in religious places. As a result, it is suggested to pay special attention to residents complementary role at mosques designing, because this matter cause more adaptability about neighborhood mosques architectural patterns. Also, recreating the sensory patterns of Iranian-Islamic architecture of mosques undoubtedly plays a vital and significant role in developing and deepening religious values, cultural, social and economic relations and also increases the motivation of worshipers to continue attending neighborhood mosques.
Azin Ataei, Jamaladdin Soheili, Maryam Armaghan, Ali Akbar Heidari,
Volume 11, Issue 1 (3-2023)
Abstract
The quality improvement of the environment to ensure the citizens’ satisfaction with urban planning processes is one of the fundamental development principles. The environment results from activities, concepts and physical characteristics, and the user perception provides an analytical approach to spatial judgment. The importance of responding to the different perceptual levels of the individual by different environmental factors indicates the necessity of investigating the environment quality from the perspective of perceptual experience. Therefore, the crisis of the expansion of environments without experiential usefulness resulting from functionalist approaches causes inefficiencies in meeting needs, which endangers urban life along with damaging behavioral mechanisms. This study aimed to explain the effectiveness of environmental quality on the experiential perception of the residents of two garden cities in Alborz province with the assumption of the existence of a relationship between the environment quality in public spaces and the audience perception to answer the nature of this relationship. The village has controlled traffic, limited services, and enclosed bodies separated from the urban context, but Mehrshahr is equipped with neighborhood services without peripheral restrictions and traffic control, whose space syntax was preserved during joint construction. Two garden cities were compared based on the effects of different contextual features on the users' experience regarding the satisfaction level concerning the aesthetic and physicalspatial components. This descriptive-analytical and mixed study was conducted by the random distribution of questionnaires among the residents, and variables were analyzed with SPSS
and hypothesis testing using t-statistics. The results revealed that the perimeter fence and checkered structure of the village ensured the enclosure by creating communities through plant demarcation, and the lack of neighborhood walls and inclusiveness of the passages increased the continuity with the benefit of the corridors of view to the open spaces. The variety of formic houses in Mehrshahr, along with curvilinear design by changing the viewing angle, improved the spatial contrast and the coordination of the volume, façade, use of buildings, visual proportions, and the pedestrian axis satisfied the scale criteria. Personal gardens, natural landscapes, and visual-motor diversity in both collections have created equal aesthetic quality standards. Finally, the main success factors of the perceptual experience were inviting people tired of the boredom of hectic urban life, continuous greenness on the outer wall, enhancing the visual beauty of the neighboring urban texture landscape in the village, and emphasizing the order and geometric schema in Mehrshahr.
1 Hirad Hosseinian, 2 Jamaluddin Soheili, 3 Fariba Alborzi,
Volume 11, Issue 1 (3-2023)
Abstract
The process of figure structure and understanding message by the audience has a great value, as various visual elements such as point, line, level and volume can be affected on identifying this process. On one aspect, connection with human and its needs in architecture is determined, on the other hand, in some opinions and in relation to the architecture, set of available forces should be defined. Therefore, connection of this process has been linked with the principle of “geometry” and provides space integration as a creative composition. It is possible to obtain a productive structure based on set of rules, in lawful space of geometry in order to decompose complex shapes into a simple form. Where in Naqsh-e Jahan Square, which is one of masterpiece of Iranian architecture, these patterns are shown themselves in different history and periods. As far as, it has entered to the logical comparative phase, based on initial consequential analysis in the form of formation of the square with using logbooks and historical books and then with using geometric analysis of the square and turning this logic into a descriptive form which was in line with theories of Duran, Krier and Herdeg and based on principles such as integration, overlap, angular and rotational, in order to prepare a comprehensive principles for combining shapes toward a gradual evolution. Herdeg brings this overlap into the social classes from individuals to the clergy, which is a link between form and outlook of different stratums. In this research, it has been tried to winded up the effects of social and political principles on formation of the square with using classes such as individual, society and government and also with using visual tools that have been analyzed in this square in different times, and then by recognizing geometric principles between them and sharing with graphic geometry of each classes based on the combination of the complex and by answering to hypothesis such as: it is thought that evolution of Naqsh-e Jahan Square in various times has been due to overlap of geometry of the square with graphic geometry of each classes from individuals to the government, and, in order to prove a principle such as geometry as a basic principle in forming the square in various .times, because of assimilation of geometric quality of the space and connection of the classes.
