Massud Wahdattalab, Ali Yaran, Hamed Mohammadi Khoshbin,
Volume 6, Issue 2 (summer-2018 2018)
Abstract
Façades are one of the architectural physical elements that play a significant role in the aesthetic preferences on their observer. The façade creates the first and perhaps the most important impact. Aesthetic is identifying and understanding factors that contribute to perception of an object or beautiful/pleasant process. In order to assess the beauty of a phenomenon, its factors and visual qualities should be studied, so finding a measure or a way to evaluate them are one of aesthetics’ priorities. Therefore, not only recognition of visual qualities, but also their quantitative evaluation is also important in aesthetics. Different visual qualities participate in the formation of façades, one of which is porosity. If these visual qualities studied, interpreted and measured, their factors, rules, and attributes can be extracted and using them as variables, the aesthetics of façades can be evaluated. This research is based on the question of how porosity can be measured and evaluated as one of the visual quality of façade and what is the relation between the quantitative measures of these buildings' façade's porosity?
The purpose of this research is to investigate the concept of porosity as a visual quality and to decode the art of designing and constructing façades in Iranian-Islamic architecture by quantitatively measuring the porosity. The study in theoretical part, using the analytical-descriptive method, has presented a theoretical framework. In the first stage a comparative method will be used. Collecting information in this research, in addition to documentary and library studies, will also include field studies that are used to compile the subject literature review to find the thematic framework. At this stage, by expressing the perceptual concept, the architectural porosity elements as well as the study of its theories, criteria, rules and components are explained. In the second stage, a quantitative method for measuring porosity will be presented using the criteria and components obtained in the previous stage, the classification of porosity elements, factors and effective variables of façade's porosity. Structured questionnaires will be used to find the relationship between these variables and their impact on each other and facade's porosity. In the third stage which is the case study section, the theoretical framework and the porosity quantitative measuring method are carried out in 30 main facades of historical houses of Tabriz city and gathered data are analyzed with descriptive statistics.
Based on the findings of the research, façades have a special feature called porosity number that is unique to them. The structure of the forming elements and the porosity changes of the façades also follow a particular pattern. The research also shows that the main trait of porosity is openness. Air circulation, light and the connection of internal and external spaces are major physical achievements of porosity and its spiritual achievement is space and raised meaning in architecture. Empty, despite the lack of material has an equal value, and sometimes more, than full, and how it is created and placed not only increases the physical and spatial quality but also can have an impact in facades’ evaluations. Porosity is one of the basic visual qualities, which over time has found a more significant role in façade. Porosity has a hidden and mysterious pattern that can be the result of aesthetic feedback from architects, observers/residents, and environmental conditions of the region. A certain evident percentage of porosity and a specific pattern and alignment of porous space arrangement found in this study indicate that, at least in Tabriz environmental conditions, a specific pattern of porosity is a part of the aesthetic preferences of the architects and the residential-historical architectural users of Tabriz city. This optimal and aesthetic level of porosity in the historical houses of Tabriz façades is close to 0.4 (40%).This pattern and alignment can be considered by contemporary architects in this cultural-climatic area as an aesthetic factor. Of course, the generalization of these features to other cities in Iran and beyond requires more and wider researches. This study showed that porosity as a visual quality and its quantitative measurement method can also be used as criteria of aesthetic evaluation of architectural façades.
Massud Wahdattalab, Farhad Ahmadnejad, Mohammad Ali Nazari, Hamid Nadimi,
Volume 7, Issue 3 (autumn 2019 2019)
Abstract
Perceived time can have a significant impact on vital responses to daily activities and behaviors. Studies have shown that the surrounding environment can also affect human perception from time, place or event. The purpose of this study is to investigate the interrelationship between the environment and, more specifically, the architecture and the time perception of individuals. Also, the study of the genders effect, which has been reported in many studies as one of the parameters that affected from the environment and also influencing factors in time perception, has been studied. The research method is causal-comparative. One hundred participants, from available students of different faculties of the Tabriz Islamic Art University, participated in two separate computer experiments. Visual stimuli were architectural images selected with two independent factors of complexity in two levels and the background familiarity of the participants with two levels. Two standard time reproduction tests with a millisecond interval and a time production test of one hundred and twenty seconds simultaneously were utilized in prospective time estimation approach with four visual stimuli. The results analyzed by repeated measures of multivariate analysis and successive LSD test of main effect size. The findings show that individuals judge complicated images significantly longer than simple images. In addition, between factors analysis on the effect of simple and complex images between two sex groups, showed a significant difference. The results obtained in the field of time production and reproduction compared and interpreted with the internal clock, attentional gate and neural coding efficiency theories. Correspondences of findings were more with Eagleman›s neural coding efficiency model in respect of effect of complexity factor on time perception. While the findings on the between factor effect of the gender on the perceived duration, are more consistent with internal clock model. In the end, this study showed and emphasized the necessity to repeat this kind of interdisciplinary studies with more ecological approaches and stimuli closer to real environments to achieve more accurate theoretical framework and findings that are more practical
Massud Wahdattalab, Zeinab Hayati,
Volume 11, Issue 4 (11-2023)
Abstract
Understanding, comprehension and sensory reception of the human being, from the architectural implications, undergo changes by getting far and closer to the architectural works. It is necessary to pay attention to this issue in pilgrimage architecture due to the importance of feeling responses at different distances.This research answers these questions: 1- What effect does the change of scale have on the decline of pilgrimage architectural meanings such as "Grandeur" and "intimacy"? 2- What changes do people's feeling responses undergo at different stages of approaching a pilgrimage site? The purpose of this research is to investigate the two implications of Grandeur and Intimacy in pilgrimage buildings and how it is perceived by the visitor at different distances of the building, including the stages of seeing, crossing the threshold and touching the building in the center. In this research, a mixed approach was chosen and qualitative content analysis was used, followed by exploratory factor analysis in SPSS software and confirmatory factor analysis in AMOS software. For this purpose, the individual's "distance" variable was considered as an independent variable, and "intimacy" and " Grandeur" were considered as dependent variables. 19 items in the questionnaire were compiled using the intervention method and by manipulating the scale and size of the images and provided to 229 subjects. For ease of answering, one building was evaluated in each question. Further, exploratory factor analysis led to the discovery of 4 components, which were proved by confirmatory factor analysis. The findings of the research show that there is a significant relationship between visibility and Grandeur on the one hand and centrality and intimacy on the other hand. The standard factor loadings of the items of each factor are more than 0.4. Considering the significance of the items in their factor for all the variables of the research, it is concluded that by changing the scale in a desirable range from " Dominant scale" to "intimate scale", the person's preference is transformed from grandeur to intimacy. No matter how much in the stage of vision and desirability of grandeur, we witness a direct relationship with the same slope, the pleasantness of the proportional relationship and intimacy does not have such a constant rhythm and harmony, and too closeness to the sacred matter has an avoidance feature for the pilgrim.