Mojtaba Akbarian, Seid Abbas Yazdanfar,
Volume 2, Issue 1 (6-2014)
Abstract
Traditional societies and religious and public buildings and cities will always have a special role in the expression of the sacred, mostly common values that exalted the purpose according to God and the truths of existence were in charge of With the advent of modernism and changing human relationship with the divine, while changing values and reduced it to a purely experimental purposes a substantial part of this important mission, the Museum was transferred to the emerging phenomenon. Contemporary Museum, an institution that has the object and effect of its connection with the universe, the data are incomplete understanding where another place to supply the above mentioned do not have. Phenomenological approach to the study of the logic of the museum features a variety of word origins and roots of garlic Genesis and evolution of the tradition of the modern concept of the museum deals. The results show that although the museum by providing a platform for the generation and transfer of knowledge is undeniable values, But the kind of understanding that comes from looking at the human-centered detail oriented and modern, as notable flaw is in need of revision. So in order to get closer to a true understanding of the concepts mentioned in Islamic culture and focus on its proper relationship to the human - nature of the museum and defined. Museums look at a system that is as special institution of the universe, In connection with its defined, is trying to link a range of natural history and natural places, with a verse approach towards spiritual and cultural - culture, memory and the representation In order to understand the growth and development of human life and reasonable relation to the actual creation step.
Dr Reza Kheyroddin, Mrs S. Fatemeh Hojatzadeh,
Volume 12, Issue 1 (3-2024)
Abstract
The establishment of war museums is a common thing in most countries involved in war. These countries are trying to preserve and transfer these heritages to the next generations by displaying the tools and spaces left over from the war. The main goals of these museums are to commemorate the dead and victims of war, to praise peace and to learn from the evil effects of war. The design of war museums is different according to the attitude towards war, identity and culture of each society. Therefore, one of the goals of this research is to take a new look at the concept and model of the war museum and its artifacts in Iran, considering the way of looking at the IranـIraq war (Holy Defense).
Various previous researches show that the influence of religious teachings in the society was not only effective in the formation of the identity of the people present in the war, but also in the actions and attitudes of the visitors. In this regard, an effort has been made to define the new concept of "Regional Axial Museum in Regional Scale" in the light of the potential capacities of the cultural heritage of the society on one hand and the presence of a new type of visitors to war zones (Caravans of Rahian Noor) on the other hand.
In the new definition of the AMRS (Axial Museum in Regional Scale) some concepts of original literature should be used metaphorically to represent the concepts of works and heritage of holy defense, such as excellence, the spirit of sacrifice, and reaching closeness to God, which is quite a difficult and controversial endeavor. To crystallize the idea of the AMRS, a part of the road from Ahvaz region to Arvand in the border of Persian Golf has been selected. Then, by arranging and sequencing the relevant path according to physical spatial features, as well as paying attention to war events related to different parts and nodes located on the path, the spatial values of the path should be represented and displayed for the visitors and groups of pilgrims in RahianـNoor Caravans.
The stages of representing the relics and events of the IranـIraq war era in the studied route are explained with a brief escape to the metaphors of Attar's Seven Climates of Love in different sequences to strengthen the spatial perception of Ahvaz to Arvand Axial Museum on a regional scale.The sequencing of the path related to the study of the AhvazـArvand axis brings the development of the sacred defense museums from the idea phase to the realized phase, which is more original than the conventional and formatted forms of war museums in Iran and the world. The development and completion of this regional pattern in more operational scales such as planning and urban design and architectural scale can be the stages of expansion of this pattern.
