The role of "memory" (meaning treasury) and "imagination" (face treasury) of the architect in shaping theprocess of creating and perceiving architectural worksBased on the view of transcendent wisdom
The issue of how the process of creating and perceiving architectural works and the factors affecting it is an important, multidimensional and interdisciplinary category. However, at present, the process of formation of architectural works in most studies is based on superficial perceptions of human perception and at best depends on the five human senses and, of course, usually limited to some of them. Therefore, it is necessary to address the aspects of this issue from the perspective of anthropological sciences (knowledge of his powers and perceptual tools), ontology (knowledge of the levels of existence) and psychology of theenvironment (study of the relationship between man and the environment).
The present study intends to investigate how the stages of the process of creating and perceiving architectural works are formed by focusing on the esoteric forces, especially the "memory" and "imagination" of the architect and also by redefining the steps of decomposition, composition and evaluation in this process with a new look, this study intends to investigate the direct and indirect effects on the quality of formation and realization of these steps. The theoretical basis of this research is the principles of transcendent wisdom and to do it, the strategy of logical reasoning has been used. In the data collection stage, documentary and librarystudies have been used, and in the later stages, the deductive reasoning method has been used.
The results of this research show that architecture, like other human actions, is influenced by the material and spiritual context of growth (lived experience) and the architect's perceptions during his lifetime until the moment of creating the work. On the one hand, the architect is influenced by his memory (treasury of meanings) and imagination (treasury of faces) that these items will be the source of his ideas, and on the other hand, by his actions, ethics and temperament ,he creates a level for his rational soul, which is the origin and creator of his actions. And of course the level of the soul also plays an important role in the efficiency of memory and imagination in human beings because the meanings and forms stored in them are the result of his level of interaction with the worlds. This approach can also pave the way for change in architecture education Be. Because he emphasizes that the architect must first go through the arc of ascending epistemology in his being and then try to create in the arc of the descent of the creation of thearchitectural work.
